Art History
Baroque, the apotheosis of painting
“I would define the baroque as that style that deliberately exhausts (or tries to exhaust) its own possibilities, and that borders on self-caricature. The baroque is the final stage in all art, when art flaunts and squanders its resources.” — Jorge Luis Borges
Five sessions to introduce five pictorial traditions arising after the Renaissance and the Protestant Reformation: artistic answers during a period (approximately 1600–1750) of dramatic cultural, creative, and intellectual transformation in Europe, accompanied by significant historical events.
Isaac Newton laid the foundations of modern physics, introducing the laws of motion and universal gravitation. Philosophers like René Descartes ('Cogito, ergo sum') and John Locke shaped the emerging Age of Enlightenment by emphasising reason and sensory experience as ways to knowledge.
This era also witnessed the expansion of European colonial empires in the Americas, leading to cultural exchanges, the establishment of economic systems such as the transatlantic slave trade, and widespread exploitation. In Europe, the Thirty Years' War (1618–1648), driven by religious tensions between Protestants and Catholics and territorial disputes, caused widespread devastation. The English Civil War (1642–1651) pitted Royalists against Parliamentarians, resulting in the execution of King Charles I and the establishment of the Commonwealth under Oliver Cromwell. Additionally, the War of the Spanish Succession (1701–1714) involved major European powers competing for the Spanish throne after the death of Charles II, culminating in the Treaty of Utrecht, which reshaped Europe's balance of power.
Amid these upheavals, art and architecture flourished, supported on one side by the Catholic Church and monarchs, who used it to convey power and righteousness, and on the other by the emerging middle classes, especially in the Dutch Republic. Baroque art's grandeur, drama, and emotion reflected the complexities of this dynamic era.
This period also saw the creation of some of the most celebrated music in history, composed by masters such as Antonio Vivaldi, George Frideric Handel, and Johann Sebastian Bach. By the time these composers reached their peak, painting had already reached its highest point with the works of artists like Rembrandt, Caravaggio, and Velázquez. During this time, painting experienced a remarkable flourishing, pushing the boundaries of painterly mark-making to their utmost limits.
If you value painting, this talk series is essential for enhancing your knowledge and understanding of this medium's development.
By Csaba
ONLINE LECTURES—These talks are also available online! Feel free to send an enquiry for flexible scheduling and additional details.
The Crowning with Thorns, Caravaggio, c. 1602/1604 or 1607, Kunsthistorisches Museum, Vienna
About The Workshop Leader
Csaba studied painting and art history in Budapest and trained as a Waldorf teacher in London. With over ten years of experience at Ringwood Waldorf School, he teaches art, art history, and history. In addition to his teaching role, Csaba leads art workshops, offers adult educational courses, and organises the Class 12 cultural trip to Italy, which focuses on the Italian Renaissance.
Weekly Lectures
When: Tuesdays, 5:00 PM - 7:00 PM
Duration: 5 weeks, 25 February - 25 March 2025
Course Fee: £30 per session or £120 for the entire course (materials included)
Concessions: Available
How to Register: Register your interest in the school office or online.
Location: The Art Room, Ringwood Waldorf School, Folly Farm Lane, Ringwood, BH24 2NN
Outline of the Course
Session 1 - Italy: Caravaggio & Bernini
Session 1 - Flanders: Rubens & Anthony Van Dyck
Session 3 - France: Poussin, Claude Lorrain and Georges de La Tour
Session 4 - Spain: Bartolomé Esteban Murillo, Francisco de Zurbarán and Diego Velázquez
Session 5 - The Dutch Golden Age: Frans Hals, Rembrandt van Rijn and Johannes Vermeer
The Surrender of Breda, Diego Velázquez, 1634–1635, Museo del Prado, Madrid
The Art of Painting, Johannes Vermeer, c. 1666–1668, Kunsthistorisches Museum, Vienna
Self-Portrait with Two Circles, Rembrandt, c. 1665–1669, Kenwood House, London